“It was like this little Garden of Eden,” he remembers. “There was a park, and kids were playing in the sunshine, and everything was multicultural, everything was peaceful, every religion and race and attitude was respected equally. And if I went to play with my friends, I would drive to Beverly Hills and go in their backyard, and there’d be a waterfall there. I mean, a waterfall in the backyard? What the. …. “When I went back to the public school system,” DiCaprio continues, “it was like — boom! — this is reality. I got beat up the day I arrived because I had the attitude,” and here the 39-year-old actor shifts into a blissed-out hippie voice, “of everyone living harmoniously with one another.” He laughs. “That was the motivational thing that happened to me in my life. I was 15, and I said to my mom, ‘I want to be an actor. Please take me to auditions.’ Because I had to get out of that public school system.”.
The pace was worthy of Lady Gaga or Beyonce, but Ross seemed barely winded and sang with forceful authority if not vintage accuracy, She let the show breathe a bit with a “movie” section that included the “Casino Royale” theme “The Look of Love” and Billie Holiday’s “Don’t Explain,” which Ross performed in her film debut “Lady Sings the ballet slippers toddler size 8 Blues.” Frankie Lymon & the Teenagers’ “Why Do Fools Fall in Love” was a crowd-please doo-wop interlude, setting up a sharp pairing of “Theme From Mahogany (Do You Know Where You’re Going To)” and the soaring “Ain’t No Mountain High Enough.”..
On Jan. 8, 1999, the body of Valerie Dawn “China” Schultz, 27, who had a history of prostitution, was discovered in a ditch along a desolate stretch of Willow Pass Road near the Pittsburg-Bay Point border. Holes said some of the killings had similarities that pointed toward a single perpetrator, but refused to get into specifics. “I have to remain very vague,” Holes said. “We’re aware there are some unique aspects in what was done to these women that we don’t want released to the public.”.
Much like the bustling, scrappy and creatively charged city that it calls home, Hubbard Street Dance Chicago takes great pride in what it’s built over the years, Boasting a world-class cadre of dancers and an ever-expanding repertoire that embodies the company’s international scope, Hubbard Street is known for both cultivating young choreographers within its ranks and commissioning a diverse roster of leading dance makers, The company returns to UC Berkeley’s Zellerbach Hall for a three-day residency Jan, 18-20, its first Bay Area performances since 2013’s epic collaboration with Alonzo King’s LINES Ballet, “Azimuth.” This Cal Performances engagement couldn’t be more different, Rather than premiering one major commission, ballet slippers toddler size 8 Hubbard Street presents two programs designed to showcase the unusual scope of the company’s repertoire, including works by the great Spanish choreographer Nacho Duato (“Jardí Tancat”), Israel’s Ohad Naharin (“Decadance/Ignore”), and Canada’s Crystal Pite (“Grace Engine” and “Solo Echo”)..
Now acclaimed as the one of the nation’s most adventurous physically integrated dance companies, Axis features a dauntingly expressive collection of dancers. Brown and Emily Eifler are recent additions, joining founding dancer Judith Smith, associate director Sonsherée Giles, Sebastian Grubb, Bonnie Lewkowicz and Juliana Monin. Rounding out the 25th anniversary program is a new duet by Sonya Delwaide, her seventh piece for the company. The first choreographer ever commissioned by Axis, Delwaide has played a central role in the company’s evolution from striving local troupe to nationally recognized institution.
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